5-4-1 Add. Work from Tutorial – Hidden Emotions

5-4     Add. Work from Tutorial - Hidden Emotions Additional research and reflection as noted from tutorial 4. see also post   -       5-4-2       Making Emotions Visible 5-4-1   Collection of Portraits showing hidden emotions Collate a small collection of works showing hidden emotions, so that you can survey the field past and...

5-3 Painting Investigations

5-3     Painting Investigations This section is split into two parts, the first comprises of research list noted below and the second reviews artistic practice and research and how I might utilise elements of it in my practice. 5-3-1  Painted Investigations 5-3-1A   Emotions 5-3-1B   Collocations, Juxta-positioned Paintings (Binary Paintings) 5-3-2  Connecting with My Practice 5-3-1          Painted...

5-2 Artists Statement

5-2     Artists Statement This post is split into two sections as noted below. 5-2-1      Reflection on Artistic Practice 5-2-2      Artist’s Statement In this blog post I end by noting my Artist’s Statement, this represents where my practice resides at the current time but before that I show how I arrived at this point.  I will...

5-4-2 Making Emotions Visible

5-4-2   Making Emotions Visible See also post    -     5-4-1 Add. Work from Tutorial – Hidden Emotions Consider how and in what ways through my practice can I make the invisible (sometimes) pain of emotion visible. What nuances in painting/gesture/form/subject can enable this? https://mymodernmet.com/oil-painting-portraits-mens-mental-health-joshua-miels/ I am going to consider the ways in that the invisible,...

4-5-2 Additional Work from Tutorial – Rembrandt

4-5-2    Additional Work from Tutorial - Rembrandt Suggested visual research into historical painters for lighting / background /focussing on subject matter:  Rembrandt is an artist I have previous review with regard to his meat paints, see, 2-5 Additional Work [Tutorial Follow-up, Rembrandt], in this review I will look at how he used background and lighting, and...