4-5-2 Additional Work from Tutorial – Rembrandt

4-5-2    Additional Work from Tutorial - Rembrandt Suggested visual research into historical painters for lighting / background /focussing on subject matter:  Rembrandt is an artist I have previous review with regard to his meat paints, see, 2-5 Additional Work [Tutorial Follow-up, Rembrandt], in this review I will look at how he used background and lighting, and...

4-2 Course Plan & Artist’s Statement

There are two sections in this blog post, they are noted below and heading names are hyperlinked to go directly to that section. 4-2-1    Crit Event 4-2-2    Revise Course Plan 4-2-3    Revised Artist's Statement 4-2-1 Critique Event The MP students have an active critique group that meet monthly.  For the past few months on-going I...

4-1 Danny Rolph

4-1       Danny Rolph In your learning log, make some notes about the relevance of Rolph’s work to your practice (if any).  Watch this video of Danny Rolph discussing his work and look on his website. Danny Rolph & Michael Stubbs: In Conversation (March 2012) The interview begins with Stubbs asking Danny Rolph how he arrives...

4-5-1 Additional Work from Tutorial – Caravaggio

4-5-1    Additional Work from Tutorial - Caravaggio Suggested visual research into historical painters for lighting / background /focussing on subject matter: When beginning this exercise in examining subject matter along with subject focus and lighting in the works of Caravaggio, I was spoilt for choice.  Caravaggio despite having a curtailed life, the subject of much...

4-5-3 Additional Work from Tutorial – Contemporary Painters

4-5-3    Additional Work from Tutorial - Contemporary Painters From Tutorial feedback #3 : You have a good contextual eye on contemporary makers- look across their works to see how they work with backgrounds- an intensive survey will do you the world of good. Looking to a short list of contemporary painters to explore how they...

4-3 Painting Investigations

4-3       Painting Investigations In this section I have gather together the paintings worked upon in this section of the course, this includes re-works from Part 3, work completed wholly in Part 4 and works in progress (WiP).  The works currently in hand and not completed will roll into works for Part 5 of this course...

4-4 Assignment 4

There are three elements to this assignment #4, each of the sub-sections is noted and linked below: 4-4-1      Links to Part 4 Sections 4-5-2      Summary Part 4 4-5-3      Reflect & Review – Part 4 4-4-1           Links to Part 4 Sections Links to various section completed in this section of the course 4. Part Four: Distillation...